Monday 24 November 2014

Storyboard


Here is my story board for my music video:







All of scenes are vague ideas that I have come up with. The magority of the scenes link with the lyrics to show that the music video is a narrative music video and that the story links with the song. I have 4 locations for my music video that are shown in the storyboards. These ideas are to show my artists emotions and that she is hearbroken. The order of the scenes may be switched around as this is a vague idea for my story board.

My first location is a dark long road with no one around to emphasise the title of the song.
My second location is is a room with a piano
My third location is in her bedroom
My fourth location is a plain background for when my artist performs

Friday 21 November 2014

Music Video's That Have Influenced Me

Jojo- Little Too Late






The reason why this has influenced me is because it is about breaking up with her boyfriend which is similar to my song. I thought i could get some ideas from this music video. Her performing and having a narrative story line in the same music videos was an idea that i thought i clever and makes the music video much more interesting. The video is not to complex which is what I was heading towards, as I think it would be too confusing and messy if i tried to make it more complex. This is a video that has inspired me and has given me good idea's for my music video. 

Wednesday 19 November 2014

Music Video's That Have Influenced Me

Pink - Perfect






This music video influenced me as there is a lot of performing within this music video, which is one of my ideas within my video. She looks directly into the camera which seems like she is singing to the audience which shows her emotions which I think emphasises the lyrics within the music video. There is also a emotional narrative story int he music video which i think also emphasies the lyrics in the music video and makes them more significant.

This links to my idea as this is what i am planning to do within my music video. I want my music video to be emotional and so how significant the lyrics mean to the performer. This is a music video that has influenced me hugely.

Monday 10 November 2014

Avril Lavigne

Avril Ramona Lavigne was born 27 September 1984 is a Canadian and French singer and songwriter. She was born in Belleville, Ontario, and spent most of her youth in the town of Napanee. By the age of 15, she had appeared on stage with Shania Twain, by 16 she had signed a two-album recording contract with Arista Records worth more than $2 million. In 2002, when she was 17 years old, Lavigne entered the music industry with her debut album Let Go, becoming one of the most popular pop punk artists, a reason she earned her reputation of a ‘skater punk’ and "pop punk princess". Since her professional debut she has sold more than 30 million albums and over 50 million singles worldwide.



When You're Gone

"When You're Gone" is a song written by Canadian singer Avril Lavigne and Butch Walker. It was written for Lavigne's 2007 album, The Best Damn Thing. It was co-written and produced by Walker and released as the album's second single on 19 June 2007.

Avril Lavigne has said the song "is about being with someone you love, and you have to say goodbye, and all the little things you miss about them". The song may have been inspired by Lavigne's then-husband, Deryck Whibley, although in an interview in Northern Ireland with The Belfast Telegraph she did not confirm this. According to her, she did not intend the song to be a love song, but she was writing a slow song and the process brought out "all that emotional stuff" in her. "It's not cheesy, because I wrote it", she said. "If I was older, a professional writer coming up with all that, that would be lame."
Billboard magazine describes the song as "a power ballad with a piano and synth introduction". Composer Rob Mathes orchestrated the song with genuine string section, although the brief opening note, before the piano came in, was on a synthesizer.

Permission Letter To Record Label


10.11.14

Epic Records



Dear Avril Lavigne,


My name is Harriet May and I am currently studying A-Level Media Studies at Aldenham School. 

As part of my coursework this year, I am creating and producing a music video to a song of my choice.  I have chosen When Your Gone by you as the song I would like to create a music video for, and I am writing this letter to seek your permission to do so.


Please note, this video will be used only for my coursework and will not be distributed or marketed in any form.  I would greatly appreciate your permission to use this song.

Many Thanks,


Harriet May

Choices Of Songs: When You're Gone - Avril Lavinge

When You're Gone - Avril Lavigne



The video was directed by Marc Klasfeld, who is most well-known from his works of director for Sum 41's music videos. Lavigne reportedly came up with the concept for the video. The video portrays three relationships in different age groups, but in the same situation involving these relationships on the verge of being destroyed. The first relationship involves a pregnant woman whose husband is fighting in the war. The second involves an elderly man whose wife has recently died. And the third involves a teenage couple walking in the park only to be caught by the girl's controlling mother who forbids them from seeing each other ever again. Lavigne said that the video is very personal. In the end, the scenes break out daylight with the teenage girl returning to the place where the duo were caught, the elderly man drinking to his wife in a graveyard, and an SMS from the pregnant woman's husband, with the text "I'm okay. I miss U". Lavigne is then seen running in a field once more until the screen fades out.
Portions of the video were filmed at California State University, Northridge's Botanic Garden. The video was premiered on MuchMusic in Canada on 6 June 2007 during the 5 pm broadcast of MuchOnDemand. While in the United States it was premiered on MTV's TRL on 21 June. It reached the No. 1 spot on both TV music channel countdowns on August.
One year later the video won the People's Choice: Favourite Canadian Artist award during the 2008 MuchMusic Video Awards.

This is the song that I have chosen to do as this song is my favourite out of my choices as I think it is the easiest to lip sing and I have different ideas for the music video than the original music video.


http://en.wikipedia.org/wiki/When_You%27re_Gone_%28Avril_Lavigne_song%29

Sunday 9 November 2014

Lyrics to the song I have chosen

"When You're Gone"


I always needed time on my own
I never thought I'd need you there when I cry
And the days feel like years when I'm alone
And the bed where you lie
Is made up on your side

[Pre-chorus:]
When you walk away I count the steps that you take
Do you see how much I need you right now?

[Chorus:]
When you're gone
The pieces of my heart are missing you
When you're gone
The face I came to know is missing too
When you're gone
The words I need to hear to always get me through the day
And make it OK
I miss you

I've never felt this way before
Everything that I do reminds me of you
And the clothes you left, they lie on the floor
And they smell just like you,
I love the things that you do

[Pre-chorus]

[Chorus]

We were made for each other
Out here forever
I know we were, yeah, yeah
All I ever wanted was for you to know
Everything I do, I give my heart and soul
I can hardly breathe, I need to feel you here with me, yeah

[Chorus:]
When you're gone
The pieces of my heart are missing you
When you're gone
The face I came to know is missing too
When you're gone
The words I need to hear will always get me through the day
And make it OK
I miss you


Friday 7 November 2014

Choices of Songs: Too Little Too Late - Little Jojo

Too Little Too Late - JoJo


"Too Little Too Late" is a song by American recording artist JoJo. It was written by Billy Steinberg, Josh Alexander, and Ruth-Anne Cunningham for JoJo's second studio album, The High Road. It was co-produced by Alexander, Vincent Herbert, and Billy Steinberg. "Too Little Too Late" was released as the album's first single in North America on August 15, 2006 and in the United Kingdom on January 15, 2007.
"Too Little Too Late" broke the record for the biggest jump into the top three on the Billboard Hot 100 chart, moving from number 66 to number three in one week; this record was previously held by Mariah Carey, whose single "Loverboy" rose from number 60 to number two in August 2001. However, the record was ultimately broken by Kelly Clarkson's "My Life Would Suck Without You", which jumped from number 97 to number one on the issue dated February 7, 2009. It remains JoJo's biggest hit single in the United States to date, and her only one to reach the top ten of the Billboard Hot 100.

The reason why I didn't choose this song is because I think that there were to many voices at once which would have made it hard for me to video the lip singing on this song.

Choices of Songs: Kelly Clarkson - Mr. Know It All

Kelly Clarkson - Mr. Know It All




"Mr. Know It All" is a song by American pop recording artist Kelly Clarkson. It was written by Brian Kennedy, Ester Dean, Brett James, and Dante Jones, with the production handled by Kennedy, Dean, and Jones. Clarkson described the song as a "vocally raw record" and stated that she and her producers strove to record her voice as it is heard at live performances, using as little auto-tune processing as possible. It was released by RCA Records as the lead single from her fifth studio album, Stronger on September 5, 2011.

"Mr. Know It All" is a midtempo pop rock song with R&B influences, with its lyrical content dealing with the themes of heartbreak, and relationships with wisenheimers. Upon its release, "Mr. Know It All" has received mixed reception from music critics, who noted the song as significantly different from Clarkson's previous releases. The song became a commercial success, it became her ninth top-ten hit on the Billboard Hot 100, and topped the Billboard Adult Pop Songs chart. Internationally, the song topped the charts in Australia and in South Korea, and has attained a top-ten position in New Zealand, Poland, the United Kingdom. It also became a crossover hit to the Billboard Hot Country Songs chart, becoming her first solo single to enter the country chart after 9 years since "A Moment Like This" (2002), prompting RCA to release a country version produced by Dann Huff in 2012.
The song's accompanying music video was directed by Justin Francis and features a "wall of doubt" background in which derogatory headlines about Clarkson are posted. Several of the critics noted the video's informal fallacy approach to mainstream media. Clarkson has performed "Mr. Know It All" in various locations around the world, most notably at the 2011 NRL Grand Final, on the Australian, British and German versions of the television series The X Factor, and on the set-list of her Stronger Tour.

The reason why I didn't choose this song is because I think this song is too well known for me to compete with and also the music video is very good and I think that I wouldn't do the music video justice. I think this song would be a good song to do as the lip reading wouldn't be hard.

Friday 24 October 2014

Tuesday 21 October 2014

Questionnaire

Before choosing my song for my music video, I thought I would do a questionnaire to find out research to help me choosing a song. I think that having this research will make my chose easier and please the participants taking part.I asked 20 people. 

The questions I will be asking are:

1) Whats your gender?

- Male
- Female

2) What age group are you?

15-25
26-35
36-45
46+


 3) What is your favourite genre of music?

- Pop
- Rock
- R&B
- Indie
- Country

Other.......................


2) What is your favourite Type of music video?

- Narrative
- Random (nothing to do with the lyrics) 
- Performance

Other.....................

3) Do you prefer funny or serious music videos?

-  Funny
- Serious 

4) Do you think the artist needs to appear in the music video?

- Yes
- No

5) Do you think there should be a relationship between the music video and the lyrics?

- Yes
- No

Sunday 19 October 2014

Indie and R&B Digipak Comaparision

Indie and R&B/Pop DigiPak Comparison


Comparing both of the Digipaks from two very artists, Mumford & Sons being indie/folk and Rihanna pop/R&B there are very obvious differences.

Mumford & Sons are a band that is not the centre of media attention, very back to basics in terms of mostly using just there instruments and voices, there digipak shows this it is a very simple design, shot in an area that could be in a small town.


However, on the other hand, the Rihanna album Loud is very bold charecter and could easily be spotted,; it shows her as the centre of attention, as she also is in the media and is an inspriation to other people. She is shown as an icon, someone who people want to be and look like and she isn't afraid to cross boundaries, the music in the album reflects this. It looks like it is professionally shot, in a studio, this could show her status, whereas the Mumford & Sons albums looks lie its shot just in a small town. I do like the Rihanna's album it reflects her well and is good for marketing as it can be easily recognised.

Ideas I have gained through analysing these two Digipaks is definitely to focus on what the target audience I am aiming for and I would not want too lose the reason my target audience because of my DigiPak. Digipaks need to represent he artist well and I think the more personal the better because the people that would buy

I am thinking of looking into doing a song from the Pop Genre so Rihannas album would related to me more that Mumford & Sons as there album cover wouldn't fit into the conventions for my album cover. 


Saturday 18 October 2014

What is a DigiPak?

DigiPak Research



Digipak- style packaging is often used for CD singles or special editions of CD albums. They are typically consist of a gate fold (which is a bookstyle CD album) paperboard or card stock outer binding, with one or more plastic trays cabable of holding a CD or DVD attached to the inside the generic 'digipak' came to be used to describe all soft CD packaging, Digipak were first created by MeadWestvaco and their product, called digipak, is trademark. However , as the format became more popular and began to be used by more manufacturers. Now in current timed digipaks are very popular.

How does a DigiPak benefits the artist?

The front of the digipak will have some aspect of what the artist represents and what their predominate genre is. The digipak will most likely embody and theme and message about the artist image. This link emphasising the artist brand image which increases the popularity of the artist. The digipak also exemplifies the artistic and creative approach the artist is taking throughout the music. For example if there's some futuristic idealism conveyed in the lyrics or the visual in the music video then the front cover wouldn't be very contemporary but more obscure and abstract. All aspects of the digipak, brand image and music video are all interwoven together.

DigiPak's benefit the artist and their music as it promotional aspects of the music industry which helps being awareness to the artist and the distributions who are selling the artists and encouraging consumers to buy and listen to their music. You could argue that buying a digi-pak establishes the consumers loyalty to the artist.

Friday 17 October 2014

Now Ratings Music Videos

New News on Ratings of Music Videos

This Friday a pilot scheme to add age ratings to online music videos starts but don't expect to see any huge 12s, 15s or 18s on music videos just yet. 

All parties within the goverment involved say people watching the videos won't see any changes until the end of the year.
YouTube says it is committed but technical change may take time and Vevo has agreed to trial the scheme.

Three of the biggest labels in the UK - Sony, Universal and Warner Brothers - have all also agreed to take part.
But it will only apply to artists signed in the UK to UK labels.

In August, David Cameron announced the pilot saying that he wanted "to help parents protect their children from some of the graphic content in online music videos".

The British Board of Film Classification (BBFC), the same body which rates films and DVDs, will be deciding which videos warrant an age rating

"I think there's two sides to the pilot," she said. "I understand the reason for it. I would say age ratings would be appropriate because sometimes you don't want your kids to see certain sexual imagery or violence.

"At the same time, I think giving an age rating might actually get people to make even more provocative videos than before as long as they get the proper rating for it. 
"So there's two sides to the story, but it's hard to decide which is the better outcome. So we'll see."
Mercury-nominated singer FKA Twigs said: "I think that the answer to protecting younger viewers is not to ban things, it's to show an alternative.

"I guess with my videos we're talking directly about sexuality and there's nothing wrong with that.
"Why shouldn't younger people learn and explore about what sexuality is as an adult? Why shouldn't they do that? 

"We're not living in Victorian Britain, do we want to be repressed? Do we want to have these kids doing weird things behind closed doors or should this be a country that is leading by example in explaining to people?"

"We are already part of the BPI's parental advisory scheme and we are pleased to be working with them and British Board of Film Classification to pilot the age rating of these videos this autumn."
The content of music videos played on TV is actively regulated by the broadcasting watchdog Ofcom.

http://www.bbc.co.uk/newsbeat/29423817

Thursday 16 October 2014

My Favourite Music Videos. Just The Way You Are - Bruno Mars

Bruno Mars - Just The Way You Are







"Just the Way You Are" is a song recorded by American singer-songwriter Bruno Mars and is the lead single from his debut studio album, Doo-Wops & Hooligans (2010).The song was written by The Smeezingtons, Khalil Walton and Needlz and produced by The Smeezingtons, and Needlz. It was released in the United States on December 14, 2009. It has also received airplay from AOL Radio's New Pop First station. The track was added to BBC Radio 1 A Playlist in the United Kingdom, and was released in the United Kingdom on September 19, 2010 as "Just the Way You Are (Amazing)".

The song peaked at number one on the US Billboard Hot 100 and Mainstream Top 40 charts and charted in the top five in other countries. It was certified 5 times Platinum by the Recording Industry Association of America (RIAA) and 6 times by the Australian Recording Industry Association (ARIA). Worldwide, it was the eighth best selling digital single of 2011 with sales of 12.2 million copies. So far, it has sold over 13.2 million copies worldwide becoming one of the best selling digital singles of all time.

The music video, directed by Ethan Lader,was released on September 8, 2010 and features Peruvian born Australian actress Nathalie Kelley.

http://en.wikipedia.org/wiki/Just_the_Way_You_Are_%28Bruno_Mars_song%29

Saturday 11 October 2014

My Favourite Music Videos. Imagine Dragons - Demons

Imagine Dragons - Demons

"Demons" is a song recorded by American rock band Imagine Dragons. It was produced by record producer Alex da Kid, written by Imagine Dragons and Alex da Kid, and recorded by the band. The song appears on their major-label debut extended play Continued Silence and also makes an appearance on their debut studio album Night Visions as the fourth track. "Demons" was solicited to American triple-A radio stations on January 28, 2013 and to modern rock stations on April 1 and serves as the album's overall fifth single and was released as the third single from Night Visions in the United States,and was later released to contemporary hit radio stations on 17 September 2013 as an official single. "Demons" is an indie rock ballad while the lyrics portray the protagonist warning the significant other of his or her flaws.

The song has been a commercial success, becoming their second top ten single after "Radioactive". It spent twelve weeks in the top ten on the Billboard Hot 100, four of which were spent at its number six peak. It has sold over 3 million copies in the US as of January 2014. It has also been a moderate commercial success worldwide, charting in several countries. The song won a MuchMusic Video Award for International Video of the Year - Group (2014) and an iHeartRadio Music Award for Alternative Rock Song of the Year (2014).

Friday 3 October 2014

My Favourite Music Videos. Story Of My Life - One Direction

One Direction - Story Of My Life





 "Story of My Life" is a song recorded by One Direction. It was released on 25 October 2013 by Syco Music and Columbia Records as the second single from the group's third studio album, Midnight Memories (2013). Written by Jamie Scott, and John Ryan, the lyrics speak of a tumultuous relationship leading to lament and heartbreak.

You see One Direction singing about the women in their family. 

Wednesday 1 October 2014

My Favourite Music Videos. Love On Top - Beyonce




Beyonce - Love On Top


"Love on Top" is a song recorded by American singer Beyoncé for her fourth studio album 4 (2011).  She sings about a man whom she can always call, even after facing grief and hard work, finally earning his love and respect.

Beyoncé sang "Love on Top" live at 2011 MTV Video Music Awards, announcing her pregnancy at the end of her performance. This caused the upsurge of the song on several charts worldwide. It reached the top ten in Hungary, South Korea and both regions of Belgium, and the top twenty in Australia, Italy, New Zealand and the United Kingdom. It also debuted at number 20 on the US Billboard Hot 100 chart and became the second highest debut of Beyoncé's career as a solo artist. "Love on Top" remained at number one on the US Hot R&B/Hip-Hop Songs chart for seven consecutive weeks, and has sold over one million copies. At the 55th Grammy Awards, Beyoncé won her 17th Grammy Award with Best Traditional R&B Performance for "Love on Top".


http://en.wikipedia.org/wiki/Love_on_Top

My Favourite Music Videos. We Found Love - Rihanna

Music Videos That Have Influenced Me

Rihanna- We Found Love



The music video for recording artist Rihanna's 2011 single "We Found Love" was directed by Melina Matsoukas. It was filmed on September 26–28, 2011, in the New Lodge area of Belfast and Bangor, County Down, Northern Ireland.

Scenes of Rihanna with her romantic interest (Dudley O'Shaughnessy) in both love and hate scenarios intersperse, as they experience mounting difficulties in their relationship. After enduring the overwhelming effects of recreational drugs and physical violence, she finds her boyfriend unconscious on the floor of his apartment, and leaves him, having had enough of the relationship. Images of the song's producer and featured artist Calvin Harris appear in outdoor DJ scenes, while the video has regular references to popular culture, such as themes of films and content of other singers' videos.

Some critics also compared the thematic content to those of Rihanna's videos for "S&M" and "Man Down". Despite that, the video caused much controversy among activist groups. Christian youth pastor Brandon Ward, John Colonnello and the Ulster Cancer Foundation criticized the video for Rihanna's portrayal of her character having sex while under the influence of illegal drugs and smoking heavily. Consequently, the video was banned from being shown before 10 pm on French television. It won the Grammy Award for Best Short Form Music Video and MTV's VMA for Video of the Year. The video further managed to peak at number one on the Polish Video Chart.



Thursday 25 September 2014

Best Music Video Director - Paul Hunter

Paul Hunter

Paul Hunter is a music video director known for popular music singles. He has directed over 100 music videos for all different types of artists, television advertisements and was nominated for an Emmy for Nike's Freestyle commercial.

Hunter majored in Cinema & TV Arts at Cal State Northridge. His career began working on sets and shooting spec commercials, which led him onto being a music director.

Hunter has worked with musical artists including Snoop Dogg, Jennifer Lopez, Lenny Kravitz, Christina Aguilera, Eminem, Ashanti, Marilyn Manson, Mariah Carey, Will Smith, Nicole Scherzinger, Britney Spears, Michael Jackson. 

Hunter's directed the music video of Michael Jackson's come-back single, 'You Rock My World' and the award-winning 'Lady Marmalade' video for the soundtrack to the film 'Moulin Rouge!' (2001).

This is one of his most famous music videos that he has directed.

http://en.wikipedia.org/wiki/Paul_Hunter_%28director%29

Best Music Video Directors - Spike Jonze

Spike Jonze

Spike Jonze is an American director, producer, screenwriter and actor, whose work includes music videos, commercials, film and television. He started his feature film directing career with Being John Malkovich (1999) and Adaptation (2002), both written by Charlie Kaufman, and then started movies with screenplays of his own with Where the Wild Things Are (2009) and Her (2013).

Jonze is well known for his music video collaborations with Fatboy Slim, Weezer, Beastie Boys, and Björk.
  
His most notable music videos are, Kanye West - “Flashing Lights;” The Pharcyde - “Drop;” Björk – “It's Oh So Quiet”

Jonze has a unique style to his filming. Maybe it’s his dual role as a big-budget movie director as well, but his videos always have a cinematic feel.


He has been nominated for four Academy Awards: Best Director for Being John Malkovich, and Best Picture, Best Original Screenplay and Best Original Song (The Moon Song) for Her. He won the Golden Globe Award for Best Screenplay, the Writers Guild of America Award for Best Original Screenplay, and the 2014 Academy Award for Best Original Screenplay for Her.

This is a music video directed by Spike Jonze.







http://green-label.com/sound/10-best-music-video-directors-time/s/spike-jonze-2/
http://en.wikipedia.org/wiki/Spike_Jonze

Best Music Director - David Fincher

David Fincher

David Andrew Leo Fincher (born August 28, 1962) is an American film director and music video director. Fincher was nominated for the Academy Award for Best Director for his 2008 film The Curious Case of Benjamin Button and his 2010 film The Social Network. For The Social Network, Fincher won the Golden Globe Award for Best Director and the BAFTA Award for Best Direction. His most recent film is 2011's The Girl with the Dragon Tattoo, an English-language adaptation of Stieg Larsson's novel of the same name.

As a music video director, Fincher has won two Grammy Awards for Best Music Video, for his work in "Love Is Strong" by The Rolling Stones (1995) and "Suit & Tie" by Justin Timberlake and Jay-Z (2013), and three MTV Video Music Awards for Best Direction, being one of the most awarded directors in the category, alongside Spike Jonze. His video for Don Henley's "The End of the Innocence" won Henley the MTV Video Music Award for Best Male Video in 1990. He also earned back-to-back MTV Video Music Awards for Best Direction in 1989 for "Express Yourself" and in 1990 for "Vogue". In 1990, he earned three of the four available nominations in the Best Direction category.

This is one of his most famous music videos that he has directed.

Best Music Directors - Mark Romanek

Mark Romanek

Mark Romanek (born September 18, 1959) is an American filmmaker, whose directing work includes feature films, music videos and commercials.

He wrote and directed the 2002 film One Hour Photo starring Robin Williams, and Never Let Me Go, the latter adapted from the Kazuo Ishiguro novel of the same name.

His most notable music videos include "Hurt" (Johnny Cash), "Closer" (Nine Inch Nails), "Criminal" (Fiona Apple), "Scream" (Michael & Janet Jackson) and "Bedtime Story" (Madonna).

His music videos have garnered 20 MTV Video Music Awards, including Best Direction for Jay-Z's "99 Problems", and he has won three Grammy Awards for Best Short Form Music Video- this is more than any other music director.





 

This is one of Mark Romanek's newest music video that he has directed.





Conventions - Star image, lots of camera shots, making him/her centre of attention

There are many artists in the Music Industry that have a specific star image which make them centre of attention
  • Goodwin says that the technical aspects help hold the music video together through the usage of Mise-en-Scene, Special effects, sound and editing.
  • Lightening the colour helps to set the mood for the music video and create an emphasis on significant parts of the songs to create a dramatic effect and thrill the audience.
  • Mise-en-scene is also very vital to the production of the music video, as it can help the artists gain authentication an also make his work appear more professional.
  • The beats of the song are also very useful as they can help to create effective cuts that go with the rhythm of the song and to make the music video look more entertaining.


 
 For example; Lady Gaga is probably the most famous artist to have such a diverse star image.

Within this video you see Lady Gaga and Beyonce both showing their star image. The majority of this video is focused on Lady Gaga. You see the mise- en- scene in this video is very different to lots of music video, but because the public know of Lady Gaga's star image so this video isn't any surprise to the audience




Lady Gaga ft Beyonce - Telephone

Monday 22 September 2014

Conventions - Technical aspect of the music video

There are many different factors that come in to making a music video successful.

- Camera Shots
- Mise-en-scene
- Lighting and colour
- Setting and characterisation
- Editing
- Beats
- Speed
- Sound



Camera Shots

There are lots of different types of camera shots that can be used in music videos. It normally depends on the type of artist.

For Example, if you are in a band the camera shots will be different to if you are solo singer.

Shots from One Direction - One Thing 



At the start of this music video we are shown all 5 members of the music video.




 We are shown the first member of One Direction - Liam.



We are then shown the next member of the band - Harry. 


We are then shown the third member - Zayn. 



Then they focus on the next member - Louis. 



Finally they focus on the last member, - Niall.


And then at the end we are shown all five members again.






Mise en scene: The mise en scene of the music video is vital in any music video. It needs to maintain authenticity to look professional and therefore attractive to consumers.  Another aspect of mise en scene; Lighting and colour can also enhance the video, as well as setting and characterisation

Lighting and Colour: As part of mise- en- scene, lighting and colour play a huge role in determining the genre of the video. For example, a pop music video is more likely to use bright bold colours to engage their younger audience, e.g. Katy Perry’s Californian Girls video uses bright pinks and baby blues to encourage its audience to watch. On the other hand, more ‘depressing’ style music such as Pink ‘Just like a pill’ use darker colour and lighting to keep the dull atmosphere about the song to match the lyrics. Another aspect to lighting and colour is to set the tone of a particular part of the song.

Setting and Characterisation: The setting of a music video can set the tone and atmosphere as well as lighting and colour. Most of the time the setting will conform to the narrative of the lyrics, however sometimes in disjointed music videos this is entirely ignored. For example if the music video is set outside in a wheat field with natural blues and browns, it can portray passion; as shown in Eminem ‘Love the Way You Lie’. Where as if the setting is a house party with bright colours it will set the tone as happy and fun, as features in Katy Perry’s ‘Last Friday Night’ video. Characterisation will often display the artist themselves due to the fact they will want to create a star image for promotional reasons, however the concept of the characterisation could change. For example in Katy Perry’s ‘ET’ music video, Katy perry is dressed as an extra terrestrial with very artistic costume and makeup to complete the look to a very high standard to engage the audience and provide entertainment. 

Editing : Including other post production effects such as green screen are yet another vital concept. Generally the attempt to use post production affects is to establish a strong visual style, for example ‘sexy’ artists, due to the fact that music videos represent the growing trend value ‘Style over substance’, and how image is more important than culture. Editing can turn even the most rubbish of footage into spectacular ones, using software such as Final Cut, and techniques such as the colour grading tools to enhance quality. Speed of beats and cutting is also part of editing, and often match the visual image perfectly to achieve a high standard, and these aspects will often reflect that of the rhythm of the song. 

Beats: The speed and timing of the cutting is often in time to the beat to enhance verisimilitude and add to the overall high quality look of the piece. Beats are very much involved with the camera work and editing, as well as the rhythm of the song itself. For example if there is a slow beat song, then the camera work and cutting would mimic the beats in most cases, to create verisimilitude. 

Speed:  Speed is one of the most important aspects to consider when creating a music video. The speed of the camera cutting will reflect that of the song, for example if the song is very fast, the cutting is most likely going to be very fast to keep with the general convention of the song and keep the audience entertained with its fast pace. The speed of the song can also be visualised through the camera work and movement to produce a more immersive effect.


Friday 19 September 2014

Conventions - Narrative performance of the song

A song with a narrative based music video the song includes a narrative story of the lyrics/ words being acted out in some way. This style relies on imagery to produce a story for the audience to follow and some narrative videos include clips from films that the song has been featured in. This seems to be used a lot in slower songs, and often tend to be love stories.







Beyonce - Love on Top

In this music video we are shown Beyonce performing to the audience with backing dancers. However this doesn't bring a different meaning to the video. 

Thursday 18 September 2014

Conventions- Relationship betweeen song and visuals

There are three different ways that the music videos promote their song.

Illustrate

Music videos can use a set of images to illustrate the meaning of lyrics and genre, this is the most common way to promote songs.
Beyonce - Irreplaceable

These music lyrics are related to the storyline within this music video. This is showing that she is over her ex boyfriend and that is not irreplaceable and she will find someone new instantly.




 




Amplify

This is when meanings and effects are manipulated which is constantly shown to the audience and drummed into our vision.


 Lily Allen - Smile

This is an example of Amplification in a music video. The lyrics to don't have a particular story line but you can see that the lyrics relate to the music video. 











Disjuncture

This means that the meaning of the song is completely ignored and try and to make a different meaning to the song. 

Lady Gaga - Bad Romance

In this music video there is nothing to do with 'romance' what so ever. We mostly see her with lots of other dancers is lots of different outfits and completely interprets a different side to the music video.





Wednesday 17 September 2014

Conventions - Through Beats

There are 3 different steps to this; 

Step 1: First of all you have to only focus on the music. You need to be aware of the structure of the song and what genre of music the song is. 

Step 2: Then you look at the voice of the song and you need to take into account what kind of voice that the artist has depends on their Star Image. 

Step 3: Last of all, you need to be aware of how the lyrics come across to the audience. Songs can be seen as stories and the artist is the storyteller, making the music video a two communication device- telling us the story and we are listening.

Monday 15 September 2014

Theories and conventions of a music video

Theories and conventions that will help me to produce a successful music video

Andrew Goodwin is a key theorist that will help me to create a successful music video using the conventions that he states. These conventions were
- Through the beat- seeing what the lyrics mean in your head
- Relationship between the songs and visuals
- Narrative performance of the song
- Technical aspect of the music video
- Star image, lots of camera shots, making him/her centre of attention

Rap Music

Rap

Rap music, also sometimes known as hip-hop music, is a style of popular music believed to have its beginnings in African-American inner-city street culture. Rap musicians generally perform in a vocal style in which the lyrics are spoken, rather than sung. This type of music often deals with the hardships of inner-city life, though it is generally as varied in theme as any other style of music. Hip hop is generally characterized more by its often complex, rhyming lyrics than by its subject matter. Though it has its beginnings in the underground music scene of the 1970s, this music is today considered a very mainstream music genre, popular among people of all ages and backgrounds.
Unlike many other styles of music, rap music is generally not sung, and lyrics are spoken against a backdrop of music. This music often consists of beats and rhythms borrowed from the soul, funk, or rock genres. Musicians typically remix these sounds and rhythms, adding their own innovations, and often synthesized musical elements. 
Rap songs are often known for their focus on controversial themes, such as gang violence. Often, however, musicians sing about a wide range of events and themes. They often express their political and social views, and they may discuss their own lives or even write love songs. Performers have even been known to write rap songs about fictional events. 



http://www.wisegeek.org/what-is-rap-music.htm

Country Music

Country

Country music is a genre of American popular music that originated in Southern United States, in Atlanta, Georgia in the 1920s. It takes its roots from the southeastern genre of American folk music and Western music. Blues modes have been used extensively throughout its recorded history. Country music often consists of ballads and dance tunes with generally simple forms and harmonies accompanied by mostly string instruments such as banjos, electric and acoustic guitars, fiddles, and harmonicas.


The term country music gained popularity in the 1940s in preference to the earlier term hillbilly music; it came to Western music, which evolved parallel to hillbilly music from similar roots, in the mid-20th century. The term country music is used today to describe many styles and sub genres. The origins of country music are the folk music of mostly white, working-class Americans, who blended popular songs, Irish and Celtic fiddle tunes, traditional ballads, and cowboy songs, and various musical traditions from European immigrant communities. In 2009 country music was the most listened to rush hour radio genre during the evening commute, and second most popular in the morning commute in the United States.

Rock Music

Rock


Rock music is a genre of popular music that originated as "rock and roll" in the United States in the 1950s, and developed into a range of different styles in the 1960s and later, particularly in the United Kingdom and the United States. It has its roots in 1940s' and 1950s' rock and roll, itself heavily influenced by rhythm and blues and country music. Rock music also drew strongly on a number of other genres such as blues and folk, and incorporated influences from jazz, classical and other musical genres.
Musically, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar and drums. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political in emphasis.


 

By the late 1960s, referred to as the "golden age" or "classic rock" period as rick music was the most popular and successful genre, a number of distinct rock music sub-genres had emerged, including hybrids like blues rock, folk rock, country rock, and jazz-rock fusion. New genres that emerged from this scene included progressive rock, which extended the artistic elements; glam rock, and the diverse and enduring major sub-genre of heavy metal, which emphasized volume, power, and speed.

Punk was an influence into the 1980s on the subsequent development of other sub-genres, including new wave, post-punk and eventually the alternative rock movement. From the 1990s alternative rock began to dominate rock music and break through into the mainstream in the form of grunge, Britpop, and indie rock. Further sub-genres that have emerged in recent years are pop punk, rap rock, and rap metal.



House Music

House

House music is a genre of electronic dance music that originated in Chicago in the early 1980s. It was initially popularized circa 1984 in Chicago, but beginning in 1985, it fanned out to other major cities across North and South America, as well as Europe and later Australia.  


Early house music commercial success in Europe saw songs such as "Pump Up The Volume" by MARRS (1987), "House Nation" by House Master Boyz and the Rude Boy of House (1987), "Theme from S'Express" by S'Express (1988) and "Doctorin' the House" by Coldcut (1988) in the pop charts. Since the early to mid-1990s, house music has been infused in mainstream pop and dance music worldwide.
Early house music was generally dance-based music characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines, off-beat hi-hat cymbals, and synthesized basslines. 



While house displayed several characteristics similar to disco music, it was more electronic and minimalistic, and the repetitive rhythm of house was more important than the song itself. House music today, while keeping several of these core elements, notably the prominent kick drum on every beat, varies a lot in style and influence, ranging from the soulful and atmospheric deep house to the more minimalistic microhouse. House music has also fused with several other genres creating fusion subgenres, such as euro house, tech house, electro house and jump house.
In the late 1980s, many local Chicago house music artists suddenly found themselves with major label deals. House music proved to be a commercially successful genre and a more mainstream pop-based variation grew increasingly popular. Artists and groups such as Madonna, Janet Jackson, Björk, Aretha Franklin, Steps, Daft Punk, and C+C Music Factory incorporated the genre into their work. After enjoying significant success in the early to mid-90s, house music grew even larger during the second wave of progressive house (1999–2001). The genre has remained popular and fused into other popular subgenres, as the DJ Mag Top 100 DJs poll has been dominated by house DJs since the beginning of the polls. Today, house music remains popular in both clubs and in the mainstream pop scene while retaining a strong foothold on underground scenes across the globe.




Pop Music

Pop

Pop music (a term that originally derives from an abbreviation of "popular") is usually understood to be commercially recorded music, often oriented towards a youth market, usually consisting of relatively short, simple songs utilizing technological innovations to produce new variations on existing themes. Pop music has absorbed influences from most other forms of popular music, but as a genre is particularly associated with the rock and roll and later rock style.

Such include generally short-to-medium length songs, written in a basic format (often the verse-chorus structure), as well as the common employment of repeated choruses, melodic tunes, and catchy hooks.
So-called "pure pop" music, such as power pop, features all these elements, using electric guitars, drums and bass for instrumentation; in the case of such music, the main goal is usually that of being pleasurable to listen to, rather than having much artistic depth. Pop music is generally thought of as a genre which is commercially recorded and desires to have a mass audience appeal.


Pop Vs. Popular Music

It is tempting to confuse pop music with popular music. The New Grove Dictionary Of Music and Musicians, the musicologist's ultimate reference resource, identifies popular music as the music since industrialization in the 1800's that is most in line with the tastes and interests of the urban middle class. This would include an extremely wide range of music from vaudeville and minstrel shows to heavy metal. Pop music, on the other hand, has primarily come into usage to describe music that evolved out of the rock 'n roll revolution of the mid-1950's and continues in a definable path to today.


Music Accessible To the Widest Audience 

Since the mid-1950's pop music has usually been identified as the music and the musical styles that are accessible to the widest audience. This means the music that sells the most copies, draws the largest concert audiences, and is played most often on the radio. After Bill Haley's "Rock Around the Clock" hit #1 on music charts in 1955 the most popular music became the records influenced by rock 'n roll instead of the songs and light standards that had dominated TV's Your Hit Parade weekly countdown show. Since 1955 the music that appeals to the widest audience, or pop music, has been dominated by sounds that are still rooted in basic elements of rock 'n roll.